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Does davinci resolve support arri xt codex license#And to simplify your colour pipeline, Codex supports ACES (Academy Color Encoding Scheme).ĪRRI RAW and ProRes | Canon RAW and XF AVC | Panasonic V-RAW | RED RAW, ProRes, DNxHD | Sony RAW and XAVC | GoPro H.264 | Phantom RAWĬODEX Production Suite License the next evolution of the fully-featured dailies and archiving system featuring sophisticated tools for colour grading and LUT management, QC, metadata editing and audio sync so you can manage and create all your deliverables within one unified system. Designed by people who’ve worked in the trenches of modern movie-making, Codex Production Suite works with most of today’s cameras and media so there’s one unified, secure workflow that ties everything together. If you rely on Codex, this common scenario doesn’t cause any headaches. ![]() Or a stunt unit is using multiple GoPros, alongside an ALEXA XT? Perhaps the main unit is shooting with ARRI ALEXA XT but a splinter VFX unit is using a RED DRAGON on a MoVI? Yes, one workflow no matter what the camera. Does davinci resolve support arri xt codex full#High quality debayering to DPX and Open EXR for VFX deliverables.Īrchiving using LTFS with full verification to LTO-6 tape with Codex Archive. QC tools – flag any issues, make notes and generate a detailed report, with or without thumbnails.Īudio Sync – import WAV files, playback shots in a proxy window and synchronise the audio files to the shots, based on the timecode.įast but high quality transcoding to common dailies formats, including Apple ProRes, Avid DNxHD and H.264. Metadata checking, fixing and appending – metadata can then be attached to dailies for increased efficiency in post production. Integration with Codex Live for a colour pipeline from camera through to deliverables and beyond. These “looks” can be baked into the editorial dailies or appended in the metadata information for other deliverables. CDLs and LUTs can be imported and processed so that externally created “looks” can be applied, either overall or on a shot by shot basis. Non-destructive CDL-based colour grading - create or modify looks and communicate them through to editorial and final colour. Ideal for DITs, it has all the tools needed to produce on-set or near-set dailies.Ĭodex Production Suite already features a comprehensive toolset including: support for the latest digital cinematography cameras from ARRI, Sony, Panasonic, RED, GoPro, Phantom, Canon split-screen or A/B playback of camera original material, with correct frame rate, colour space, LUT and CDL values applied image-scaling and crop tools metadata checking, fixing and appending QC tools and customised reporting fast transcoding to common dailies formats, such as Apple ProRes, Avid DNxHR and H.264 high-quality debayering to DPX and Open EXR for VFX deliverables and archiving using LTFS to LTO-tape and Codex Media Vault Library via Codex Archive. ![]() Does davinci resolve support arri xt codex pro#Production Suite is available on Mac Pro and MacBook Pro as well as Codex’s own hardware – the XL-Series Vault. Most importantly, Codex safeguards your most valuable asset, your digital negative. Transcode to all the formats you need to deliver, faster than real-time, even with an input LUT, CDL and a 3D LUT. Codex Production Suite is a fully-featured dailies and archiving system featuring sophisticated tools for colour grading and LUT management, QC, metadata editing and audio sync so you can manage and create all your deliverables within one unified system. ![]()
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